Welcome to Éire Literature! I’m using this page to share my personal works while I’m in college and have the time to write freely. Hope you enjoy!

Tag: family

  • Coraline: What Does it Really Represent?

    Since I was three, my favorite film has always been Coraline. I watched it for the first time when my mother was in the hospital giving birth to my little sister. I somehow convinced the friend watching me that I had seen the film before, though it definitely wasn’t appropriate for a three-year-old. 

    I grew so fond of it that I made everyone around me watch it, and I continue to replay it to this day, over fifteen years later. My mom and I have had countless conversations on the true meaning behind the uncomfortable story. I easily understood the meaning or symbolism behind most movies, but for some reason, I couldn’t place my finger on Coraline

    My first thought was that it was simply a film to make kids grateful for their parents. I always felt an overwhelming sense of relief when her real parents returned to her in the end. It made me want to run into my mother’s arms and never let go, so I assumed that was the intent for every viewer. 

    Though the concept is so unique and fantastical, I didn’t dig deeper despite the obvious wonderland theme. The older I got, the more confusing the meaning became, and I decided to finally figure it out for myself. 

    The biggest symbolism throughout the story is abuse. Even if it’s hidden or shoved in our faces in certain scenes, I had to dissect the film even to realize it was there. The other mother uses very apparent manipulation tactics like lovebombing, luring, and empty promises. Essentially, grooming her with promises of things she would never receive, in order to get her away from her parents. 

    Although her real parents are lacking in many ways, they were never abusive. They often ignored Coraline while they worked all day and moved into their new house. These obstacles seem very understandable, but, seeing the world through an eleven-year-old’s eyes, we feel her lack of attention and disdain towards her parents. 

    Their lack of affection and love led her to throw herself completely into a new reality with the Other Mother. Leaving no ties to her actual life, because she didn’t feel like she was missing anything. A clear motion of escapism, but in the eyes of a child. 

    The Other Mother asks, “Would you like to stay here forever?” After only luring her for a few nights. Coraline agrees without hesitation, not a single thought for her parents or her life. After this moment, we start to see this “world” of hers crumble. Showing that everything isn’t perfect and it never will be. The bright colors start to dim, the wallpaper starts to peel, and each “other” character becomes more grotesque. 

    The term “other” is famously used throughout philosophy, particularly with Jacques Lacan. The idea of split counterparts or personas that reveal our true intentions. Coraline highlights this exact concept by using the literal name “other” for every character in this separate world. 

    The blatant signs of manipulation and taking advantage of her naivety were there from the beginning, but embedded so far beneath the fantasy plot that it’s hard to see. Once she returns from the Other Mother’s clutches, she finds herself feeling grateful for her own parents. The only real solution in this theory is Coraline learning to accept that she needs to grow up and be independent, not relying entirely on her parents. 

    This idea makes the most sense with my initial childhood take of being grateful, though there is one more peculiar theory.  

    Another take on the abuse plot could be switching between the personalities of the same person. Instead of a predator taking her from her parents, her mom and the Other Mother are the same figure. A more in-depth analysis using Lacan philosophy. Her mom represents the mundane and “normal” side of her family. The Other Mother represents the violent side, starting with love and lavish gifts, but ending in anger and yelling. Many kids deal with the violent mood swings from their parents—especially those with mental issues, like bipolar disorder. 

    In the scene with the ghost children, they describe the Other Mother as “feeding” on them, which is the same term to describe abusers who need people to feed on emotionally. 

    When looking deeper through this lens, we can see the exact back-and-forth between these two personas and the feeling of safety or unease in each scene. The father being scared or numb in both worlds can also give us insight into the overwhelming fear and abuse that he is witnessing or maybe even enduring. He cares for Coraline, but not enough to stand up to the Other Mother.  

    The Other Wybie is also an important piece of evidence for this claim. The Other Mother makes sure that he cannot speak, so that he can’t talk about the abuse he suffered at her hands. Abusive parents usually display a facade in public, or in front of others, very similar to this. 

    The main symbol throughout the film is buttons. They are everywhere, from dolls to sewn onto characters’ eyes. With this abuse theme in mind, the exchange between the other parents and Coraline turns into something much deeper and darker. The promise of eternal happiness in exchange for buttons sewn into her eyes can be seen as the abuse changing her permanently. Once she accepts their offer, there is no going back, and she will forever remain impacted by their influence. 

    For a children’s film, the mature yet very relevant concept of abuse makes it much more important for the message relayed to young viewers, even if it took me fifteen years to comprehend. 

  • Chewing Gum

    He lifted his tall frame onto his feet with his hands clutching his pant leg, as my aunt silently ushered him out of the pew. I sat with my legs dangling off the smooth wooden bench and my black dress over my knees. As he moved towards the altar, I glanced back at the giant frames of faded stained glass that covered the small church. The weather was sad and gloomy, making it hard to see with no sunshine coming through. I turned my attention back to the front of the room, where Gary had finally reached the microphone. It was so silent I could hear my heartbeat in my ears along with every breath through my nose. 

    The pews were lined with older adults, all dressed in black, now looking at Gary. I only saw a few slightly familiar faces in the front rows, holding back tears, but before I could figure out who they were, the microphone static started. 

    “Um…Thanks all ye for coming. It really means a lot to me and my family.” Gary mumbled into the mic; I could still hear the nasal sound in his voice from crying. 

    My aunt clutched my hand tightly as she closed her eyes and sucked in a painful breath. My mother glanced back at my sister and me from the front pew as she sat next to my father, who couldn’t muster any words or reassuring looks. His glasses were fogged with tears, and his eyes pink. Every few minutes, he would take his glasses off to wipe them on his suit, before placing his thumb and his pointer finger on the bridge of his nose, as if he almost believed it would stop the crying or the pain. He repeatedly sucked in a few short breaths, trying to stay silent. I felt like I was the only one who noticed. My father never cried; this might have been the first time I ever saw him, at least that I can remember. 

    “It’s okay, it’s okay.” He whispered with a forced, tiny smile on his face as my mother placed her hand over his. 

    We turned our attention to the casket covered in flowers and photographs in front of us. My grandad’s portrait was lovely. He smiled very brightly, and the green landscaping of rural Ireland in the background made it look almost heavenly. He wore very similar glasses to the ones my dad does now, thick black frames with clear lenses. His wispy white hair combed on either side of his head. Irish funerals were always unique compared to our American traditions. His casket stayed in the house with us for the past few days, making it much harder to say goodbye. Photos of my nana alongside him were everywhere with endless bouquets of flowers, but I couldn’t spot her in the crowd of tears. 

    Gary glanced down at his hands nervously, not being able to keep still. He wiped his face quickly with one knuckle before taking a deep breath and starting his speech.

    “Tony was a brilliant man…*click* He never had a bad thing to say about anyone…*click*”

    I cocked my head, confused and trying to listen closer. He talked of how extraordinarily kind our grandfather was, how he was never angry and never raised his voice. Between every few words, there was a click that distracted me from his sentiments. I glanced around me to see if I was the only one hearing this obvious disruption. The next time it happened, I caught my aunt’s eye. All she did was close her eyes with a smile, almost like she was holding back laughter. The first time I had seen her smile that day, which made me hold back a smile too. 

    “Colm, He forgot to take the gum out of his mouth.” She whispered with a giggle to my uncle on the other side of her. 

    “What?” He questioned with a thick Irish accent, thinking he had probably misheard her. 

    “He didn’t take the gum out of his mouth,” she repeated before sharing a slight smirk with my father in front of her. 

    “Oh Jesus Christ,” he muttered before slumping down in his seat to hear his son’s continuous chewing. 

    As much as it bothered them, it was like a sliver of hope for me. It was the first real conversation in far too long. Almost reassuring me that we would be okay and things could go back to normal. Gary finished speaking and jogged down the carpeted stairs back into his seat. The speakers started to play “In the Arms of the Angels” by Sarah McLachlan, and the rows behind me began crying. Though I was too focused on my aunt telling her son to take the chewing gum out of his mouth. For the first time that day, we were the only ones not crying.