Welcome to Éire Literature! I’m using this page to share my personal works while I’m in college and have the time to write freely. Hope you enjoy!

Tag: feminism

  • Man or Bear?

    The new horror film Obsession has been a wild success since its release this May. The story follows Barron, or Bear, as he’s called by his friends. A young man working at a music supply shop with his co-workers who are also his close friends. We begin to see his obvious crush on one of the girls, Nikki, and his mental deliberation over whether to confess his feelings. After discussing his feelings with one of his co-workers, Ian, he returns home to find his cat dead on the floor, having gotten into his pills that were near his food bowl. The scene is eerie, and the way he handles his grief is noticeably unsettling. 

    After cleaning up the body, he gets a call from Nikki asking him to come to their weekly trivia night. He feels conflicted, but she then informs him that she has something important to tell him. The scene hints like a confession, but instead she tells him she will be quitting her job at the store to become a writer, that the time they have to hang out is limited. Bear quickly decides to go out anyway, even after grieving his cat. The script hints at his tears being due to his unrequited love versus the supposed loss of his pet. 

    Nikki drops her crystal necklace down the bathroom sink towards the end of their call, he decides to find the closest crystal shop rushing to get her a new one. He can’t find one that fits her tastes, so he decides to buy her a kitschy gift instead. He spots a small box labeled “One Wish Willow.” The box says that it can grant one wish when you snap the willow branch in half. After a confusing conversation with the cashier about the purchase, he heads to the bar for trivia night. 

    He doesn’t immediately tell his friends about his cat, much to the discomfort of watchers. Bear, oddly, tells one of his friends, Sarah, who offers her condolences, though he continues to pretend everything is normal. After attempting to talk to Nikki all night, he offers to drop her home, and that he has a gift for her. Nikki has a peculiar reaction to his comment, leaving Bear more hesitant than before. They arrive at her house, and Bear attempts multiple times to confess, but the timing just doesn’t add up. As she walks away, he makes the mistake of teasing her, calling her “freaky Nikki,” a sensitive nickname from high school. Nikki becomes enraged and can feel the unnatural tone of the conversation, so she finally questions whether Bear likes her. To which Bear replies that they are “good friends,” completely dismissing his ambitions. 

    Nikki goes into her house, and Bear is left to wallow with his thoughts. 

    Out of hopelessness, he opens the One Wish Willow he bought for Nikki, snapping the branch and reciting his spontaneous wish, “I wish Nikki Freeman loved me more than anyone else in the world.” 

    The entire mood of the film shifts within a second, and Nikki reappears on her porch this time engulfed in darkness. She saunters back to the car window with a different tone of voice, asking Bear if he wants to come inside, because she just “lost her cat.” 

    Bear, confused by her comment and erratic behavior, says it was his cat, not hers. Nikki furrows her brows and slowly says, “Oh, right.” 

    Almost as if she couldn’t remember. She pushes multiple times to get him into her house before getting back into his car in tears. She tells Bear that her dad is sick and that she can’t handle being alone. He gives in and takes her back to his house. Her behavior and way of speaking were suddenly meek and less confident. She becomes overwhelmingly clingy and affectionate, which leads to them kissing in his bed, much to Bear’s surprise. She suddenly jolts back and scrambles off the bed, terrifying Bear with her reaction. Her face returns to a slight smile as she crawls back into the bed, saying she didn’t mean it. 

    The story quickly progresses as Nikki and Bear start dating, much to their co-workers’ shock. Bear explains her odd behavior to Ian, but quickly pretends it didn’t happen once they start dating. Nikki becomes less and less like herself and more aggressive in her attempts to keep Bear by her side. He’s so wrapped up in their “relationship” that he ignores and hides her disturbing behavior. From duck taping the front door, to feeding him cat meat in his packed lunch alongside a photo labeled “You & Not Me.” 

    These horrific actions are small blips of the real Nikki trying to communicate with Bear. She repeatedly brings his cat back into the plot as a way of reminding him of loss, the way Nikki lost herself. As well as the subtle symbolism of “curiosity killed the cat.” She had no other reference on how to love Bear besides the love he had for his cat, so she tried her best to mimic it. 

    She becomes more erratic, having outbursts at night and screaming before going back to “normal.” Their friends start to become concerned about the nature of their relationship. Bear attempts to go to a boy’s night at Ian’s without Nikki, but can’t manage to leave the house without her. The group starts to go around the room playing a drinking game. Once it lands on Nikki, she stands up with no explanation and recites a paragraph from her new writing piece, while looking into Bear’s eyes. The story sounds like Hanzel and Gretel, but quickly morphs into a sexually disturbing piece about sibling incest. 

    Nikki reads it aloud like a love story, ending it with, “A love only a willow branch could conjure.” Bear is now faced with the fact that Nikki isn’t really in love with him; it’s all forced because of his selfish wish. The real Nikki is still there, witnessing it all.  

    This intricate detail that slips through indicates that Nikki thought of Bear like a brother. That, without the One Wish Willow, she never would have loved him. 

    Even after her mental breakdowns, Bear continues to pretend like they have a great relationship. The disturbing sex scenes that happen towards the end of the film are clear symbols of sexual assault. He’s aware that Nikki isn’t herself and doesn’t truly want to be with him, but he continues to sleep with her anyway. All we can see during this moment is Nikki’s blank stare as her mouth tries to replicate human moans. It’s a belittling moment for our view of Bear. 

    Nikki once again has an outburst where her romantic persona fades, and she stabs herself in the forehead with a piece of glass. These breaks are the real side of Nikki, trying to alert Bear and the others around her that this submissive figure isn’t her. 

    As each scene gets more grotesque and skewed, Nikki becomes more intense and violent. The persona of “Nikki” begins to realize that no matter what she does or how erratic she becomes, Bear will still want to be with her, making it much easier for her to fulfill his wish. 

    Bear tries to take Nikki to the hospital, but she refuses, and he finally decides to call the number on the box. A man answers the phone and asks, “Do you want to cancel your wish?” This is a way of asking Bear if he’s learned his lesson. Instead of immediately canceling it, he questions if he can alter his wish. This is where we really start to see the selfish side of Bear: even after all the pain he has caused, he still wants to be with her. Even after acknowledging that Nikki doesn’t want to be with him. The man on the other end of the line asks if he wants to talk to Nikki. Bear questions what he means, and the man puts the real Nikki on the phone. All we can hear are blood-curdling screams of captivity. 

    The story starts to reach the end with Nikki killing their co-worker, Sarah, smashing her face with a brick when she finds Bear in the car with her late at night. Bear tries to find a way to get rid of his wish without killing himself or Nikki, so he turns to Ian. Panicked, he begged Ian to make a wish contradicting his, but can’t get him to believe the wish is real. Ian uses his wish on money, leaving Bear to deal with his own problems. He comes home to find Nikki covered in blood with Sarah’s corpse in the dining room. After closer examination, we can see that Nikki has Sarah’s tattoos drawn on her with a permanent marker and is wearing Sarah’s hair, thinking that it would make Bear love her more. Similar to her way of replicating the behavior of Bear’s cat, she changes her focus to Sarah in order to gain his affection. 

    He locks himself in the bathroom after all of his attempts prove futile. Once he’s sitting on the floor, he spots the meds that originally killed his cat in the cabinet and swallows them. Nikki, who’s still pounding on the door, is screaming at him to come out, before we hear her step away from the door. The familiar chime of the One Wish Willow plays, and with a snap, Bear is back on his feet, trying to find Nikki in a trance. 

    “Nikki” used the One Wish Willow to make Bear love her more than anyone in the world. The exact same, controlling and all consuming wish that placed her in that situation. The scene of the couple being blissfully in love lasts about nineteen seconds before Bear is convulsing and dead on the floor. In the last scene, we see Nikki screaming in absolute terror before falling back on the couch and snapping out of her trance. Her eyes widened in horror at the corpses and blood around her, unaware of how it all happened. We hear her screech at Bear, “What did you do!” 

    After watching the film, I started to question whether naming his character “Bear” was purposeful. Seeing his actions disguised as love, I thought of the famous question “Man or Bear.” Women on social media often debate whether they would rather be stuck in the woods with a man or a bear. Most women choose the bear, because with a bear, the only fear is death. If you were killed by a bear, no one would ask what you were wearing or try to defend the bear. The underlying meaning of Bear’s name, as well as his wish, reveals his true intentions and misogyny from the start. 

    Bear’s true nature is displayed from the very beginning when he uses the gift he got for Nikki, wishing for fabrication instead of truth. The One Wish Willow wasn’t the thing that was cursed; it was his wish. He wanted her as an accessory with no autonomy, not the real Nikki. The real obsession was his unnatural infatuation with Nikki, not the obsession that he forced upon her. 

  • Even Statues of Women Aren’t Safe

    The famous statue of Molly Malone resembles a woman in a long dress pushing a cart in central Dublin. It was unveiled in 1988 to celebrate the city’s millennium on Grafton Street before being moved to Suffolk Street around 2014. The figure is supposed to portray the woman in the city’s unofficial anthem of “Cockles and Muscles.” The simple folk song is about Molly Malone, a fish merchant like the rest of her family, but she dies young from fever. She’s been a symbol of Irish pride and a reminder of the hardships the country has overcome. This attention led her to become a popular tourist attraction for visitors, both Irish and foreigners. 

    Once images and videos of this statue started to appear online in 2022, it became a media sensation, but not for a good reason. Other tourist attractions, like the Blarney Stone, are meant to be touched for good luck, but Molly’s statue was rusted everywhere except for her breasts. People all across the globe started to vocalize how degrading and disgusting the normalized custom was. Instead of taking a photo with her, tourists were rubbing the statue of a young woman’s breasts for good luck. This sensation began to reach media outlets in Ireland as well as overseas. Thousands were outraged and began to stop people in public from participating in the long-running tradition. 

    Numerous women were instead posting videos on different online platforms holding Molly Malone’s hand instead of her breasts out of respect and protection for her. Blatantly demonstrating how even a statue of a woman isn’t able to get respect. Tourists and influencers tried to guide things in a positive direction, encouraging future tourists visiting Dublin to hold her hand instead. Women during the annual St. Patrick’s Day parade held Molly Malone’s hand and covered her bust with flowers or necklaces. The city had Gardaí (Police Force) on each side of the statue during the month of May 2025 to halt citizens from violating the statue in an attempt to educate visitors. Even a young woman at Trinity College Dublin, who often busks on Suffolk Street, started a campaign titled “Leave Molly mAlone.”

    After continuous attention, Dublin City Council decided to refurbish the statue in early October 2025. It was cleaned, and the bronze was restored to her chest, then unveiled on October 10-11 of 2025. The once humiliating and derogatory tradition was starting to be put to rest. Media outlets and Irish citizens were satisfied with the refurbishment as well as the acknowledgement from the city, and started to move on. The media posts have since ground to a halt, and news stations have stopped reporting it. 

    The one thing I’ve yet to see covered is the statue now, after the restoration. The media is often fast-moving, and viral pieces or stories start to be forgotten, but Molly Malone shouldn’t be. As of late 2026, the statue is already starting to fade on her breasts once again. As much as the online feminist movement tried to change the tradition to holding her hand, it hasn’t worked, and the practice is still occurring. We are in a so-called “time of equality and progression,” but these repeated small acts show how far we still need to come. The tradition of Molly Malone is just one example of misogyny embedded in our history and society. Attention needs to remain on stories like this so people are held accountable and continue to shed light on normalized sexism. 


    Her Campus – Chapman University

    Erin Sweeney – Staff Writer

    @hercampuschapman

    https://www.hercampus.com/school/chapman/even-statues-of-women-arent-safe/

  • Silent Hill F

    I recently completed Silent Hill F, a new addition to the very popular game franchise. I wasn’t expecting such an intense and heartwrenching story alongside the incredible fight scenes and confusing dynamics. The story follows Hinako, a young school girl in a small town in fifties Japan. Her family consists of her parents and her older sister, Junko, who recently got married and moved out. Junko is a mysterious figure throughout the game. We never see her face or learn what truly happened to her, but it’s all jumbled in her mind. Everything is depicted through Hinako’s eyes, whether we choose to believe it’s truly happening or not. Hinako is accompanied through parts of the game by her two friends, one of them being Shu. A childhood friend, who very obviously has romantic feelings for her. Though it’s so clear to see, Hinako blatantly ignores it and acts as friendly as she can muster. As the story progresses, we see more context behind Hinako’s behavior. After witnessing her older sister’s betrothal, she’s utterly terrified of marriage and the possibility of turning into her mother. Her mother obeys her father without question and has to submit herself to him entirely. Both her mother’s and her sister’s experiences in marriage made Hinako ultimately make up her mind to avoid marriage at all cost. 

    We witness her battle multiple distorted figures throughout the story, each one pertaining to her phobia of marriage. They resemble grotesque brides channeling her fears into physical entities. Like lots of stories about women, it ends once they are married. She fights so hard in order to prevent the end of her story over and over again, as each event gets more violent. Shu continues to stay by her side, as she fights her inner self who wants to submit and let herself belong to him. We play as two different versions of her, the “real” Hinako and the one within her head. The Hinako that is in her head fights enemies and goes through countless marriage rituals as she gets closer and closer to the altar. The “real” Hinako fights continuously  to escape the pressure of parents, friends, and her older sister, to give in and let it happen. As her mind gets more twisted and her actions become less real, she gradually starts to lose her sanity completely. 

    Depending on who is playing, Hinako can give in to her imaginary groom and the idea of a suffocating marriage, or she can leave the altar with Shu, ultimately to be married off to him instead. One of the last options is seeing the aftermath in the real world, where she loses all grip on reality and kills people at her arranged wedding, running away to be on her own. Other options are just as confusing as everything else in the game; some have both Hinakos, some only have one, and mostly depict a pretend world. I received the murder ending. Although I wouldn’t say it’s the happiest, I’m relieved I got that outcome versus the ending with one of her two “love interests.” After all she endured, I think it’s a disservice to allow her to end with an outcome she so desperately wished to escape. It could be chopped up to accept the inevitable, that it’s not as scary as she imagined, but I think it diminishes the meaning behind the story. For a girl stuck in such a trapping situation, she fights diligently to give herself the freedom that she and all women deserve. 

  • He’s Just Not That Into You

    As a woman, I think about this movie more often than I should. It was brought to my attention in one of my literary theory classes by my classmates, who were doing a presentation. Every woman in the room said that they show this movie to their friends and peers when they start to overthink their decisions regarding love. The opening scene of the movie depicts the close friendship that women have with one another, but also the disillusionment that we seem to pass on from generation to generation. 

    We see a little girl being bullied by a boy on the playground, and when she runs up to tell her mom, the only thing she says is “He’s doing that because he likes you.” This sentence brought me back to when I was young, and all the older women in my life told me the exact same thing. As much as it bothered me at first, I started to believe it. My friends were told similar fairytales, and they just seemed to evolve as we got older. 

    “He’s not calling because he thinks you’re too good for him.”

    “You’re just too mature for him right now.”

    “He’s intimidated by your beauty.”

    “He probably lost your number.”

    And so on and so forth. No matter what age I am, I hear these types of comments meant to make us feel better, but instead, they’re leading us to think that this is how women are meant to be treated. We allow ourselves to be continuously strung along and treated like shit, because that’s how all the women around us were treated. He doesn’t call when he says he will, or he’s not listening to you on your date because he’s had a rough day. But maybe the truth of the matter is that he’s just not that into you. 

    I have found myself repeating these very phrases to my friends, and It wasn’t until watching this film that I realized the mediocrity of it all. We’ve accepted that maybe women are much more complex and compassionate creatures, but in doing so, we’ve given men countless excuses for treating us subhuman. Many women have found solace in confiding in their friends, but we might be doing more harm than good in the long run. Many of these women end up settling for someone who isn’t enough, but they accept it because of the countless excuses given by their friends. This continuous cycle of delusion has only gotten worse with the age of social media, and now we have new terms and new phrases to feed to each other. 

    “His phone probably died.”

    “He didn’t mean to leave you on opened.”

    “He liked your Instagram story, that means he likes you.” 

    As I get older, it gets harder and harder to bear hearing these phrases, even though I know my friends and family are only trying to make me feel better. I still have to correct myself, but I’ve learned to say;

    “He just isn’t the one; you’ll find someone better.”

    “I would just block him; he isn’t worth your time.” 

    We feel a type of anxious excitement that comes with waiting by the phone, and we always assume that it’s that “spark” that makes us so excited to hear back from them, but it’s really the fear that they won’t call back instead of the joy we feel while actually talking to them. This term the “spark” has also given men more outs for being horrible partners as well as people. If we had friends who didn’t give us the time of day and never called back when they said they would, we would consider them bad friends. Why should relationships be any different? 

    My most valued expression as of late is “An extraordinary man is just an average woman.” This perfectly sums up the experience that the women in my life have experienced. We meet women who would give the world to you if they could, while a man who’s supposed to be your partner for life can’t even call you back or look into your eyes when you’re speaking.

    A very wise family member of mine always asks the same question when I tell her of my recent endeavors: “Is he fun or am I fun and he’s just there?” We see overly romanticized movies daily and assume that everything will just fall into place if you find a guy who checks all your boxes. But the truth is, when all is said and done, do you really enjoy being with him that much? Is it as fun as you imagined it to be?

    Though I would love to continue being a hopeless romantic, I’ve learned that real life doesn’t work that way. You aren’t the exception, but neither is he. 

  • She’s Someone

    I was sitting in a packed auditorium at my college, surrounded by students my age, all of us engaged with the speaker in front of us. She spoke of the horrible things she endured in her life and how this led to her becoming an activist as well as writing the book that brought us all there in the first place. Most of us were there because it was a requirement for first-years, but I was more intrigued than I expected. She looked elegant yet strong, which gained my admiration. I thought she seemed like a powerful and brave young woman who was using her platform for good until she said the phrase so many have repeatedly said: “I’m a wife, a sister, and a mother.”

    I’m not sure why, but this phrase has always made my blood boil. Her speech radiated with female empowerment, yet she still said this. I’m not sure when this piece of language first came about, but I’ve been hearing it for as long as I can remember. Why is this phrase mostly spoken by and about women? It’s not common to hear a man saying that he’s ‘a father’ or ‘a son’ when sharing his knowledge or experiences. It diminishes the self assurance of the women speaking because if you can’t accredit your experiences simply by saying ‘I’m someone’ then what credibility do you have?

    So many preach self-confidence and individuality, but this phrase doesn’t reflect it at all. Why are we so accustomed to proving ourselves by sharing our traditional roles instead of the traits we bear? If a soldier were explaining his experience in battle, would he end it by saying that he’s talented because he’s ‘a father’ or ‘a brother’? No, most likely he would share the wars he’s endured or the training he’s overcome to make him so strong. Family is important to everyone, but this saying only reflects who we are to others rather than who we are to ourselves. 

    I’ve started to see the comment ‘She’s Someone’ circling on different social media platforms. Instead of writing a strongly worded paragraph out of anger towards a video usually depicting this phrase, they simply type ‘She’s Someone.’ We shouldn’t have to explain any more than these two simple words. All of the women in this world who have accomplished incredible things deserve to be more than just a daughter or a wife. They should be remembered by their actions and achievements simply because they are someone.